As co-founder of Po:era, he has directed immersive projects at the intersection of theater, cinema, and sound art, in partnership with the Brücke-Museum. Among these are the audio walk A Bridge to the Future (2023) and the film Framing Grunewald (2026). He has also acted in and directed projects such as MOQUECA, a sensorial dinner performance presented at Acker Stadt Palast and Galerie LadØns Hamburg; Força Estranha, an audio walk at TEPe Lisboa; the short film Unspoken; Exi|Station, a site-specific intervention in Lichtenberg; and Herzberge Stories, an interactive performative app developed for Museum Kesselhaus Herzberge.
In Brazil, between 2004 and 2019, he was involved in more than twenty theater productions and collaborated with groups such as Cia OmondÉ, Ateliê Voador, Coletivo Ponto Zero, Brecha Coletivo, and Dimenti Produções. In Rio de Janeiro, he performed in productions including LTDA, by Débora Lamm and Diogo Liberano; Curral Grande, by Marcos Barbosa; as well as several works directed by Inez Viana, including Nem Mesmo Todo o Oceano, A Mentira, Os Inadequados, and Infância, Tiros e Plumas, written by Jô Bilac. In audiovisual media, he appeared in the TV series Segundo Sol, produced by Rede Globo, and in the television series Balaclava, by PrimeBox Brazil.
As a production director, Lucas Lacerda produced the project Turnê de Bolso in Nairobi and, between 2013 and 2018, worked on television series and talk-show productions with Dois Moleques/Delírio Produções in co-production with Canais Globo. He also worked on dance productions with Plataforma Internacional da Dança and Dimenti Produções, including the festivals Mostra Quarta Que Dança and Mostra Baiana de Teatro at the Festival de Curitiba.